Piano - What is the notation for a double stop where both notes in the double stop are different lengths?
I was improvising on my piano, when I played a double stop where one of the notes in it was longer than the other. I liked it, and wanted to implement it in the sheet music I write; The problem is, I don't know the notation for it. What is the notation for a double stop where both notes in the double stop are different lengths?
piano notation engraving double-stops
add a comment |
I was improvising on my piano, when I played a double stop where one of the notes in it was longer than the other. I liked it, and wanted to implement it in the sheet music I write; The problem is, I don't know the notation for it. What is the notation for a double stop where both notes in the double stop are different lengths?
piano notation engraving double-stops
add a comment |
I was improvising on my piano, when I played a double stop where one of the notes in it was longer than the other. I liked it, and wanted to implement it in the sheet music I write; The problem is, I don't know the notation for it. What is the notation for a double stop where both notes in the double stop are different lengths?
piano notation engraving double-stops
I was improvising on my piano, when I played a double stop where one of the notes in it was longer than the other. I liked it, and wanted to implement it in the sheet music I write; The problem is, I don't know the notation for it. What is the notation for a double stop where both notes in the double stop are different lengths?
piano notation engraving double-stops
piano notation engraving double-stops
edited 10 hours ago
Richard
44.8k7105193
44.8k7105193
asked 12 hours ago
XilpexXilpex
1,071330
1,071330
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add a comment |
1 Answer
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This is common notation in keyboard music, although we don't call them "double stop"; it's just harmony. When notating something like this, you write the music out as different voices, with the caveat that up-stem and down-stem notes help clarify which voice is which.
Consider the following example: the up-stem pitches are one voice and the down-stem half notes are a separate voice. This notation clearly allows us to separate which pitches belong to which melodic line.
But it becomes more difficult when there are intervals of a second involved; we have to off-set one of the notes to distinguish the noteheads. (See also What does it mean when two notes are stuck together?)
Contrast this with the abyssmal notation shown here that doesn't clarify stem direction or the interval of a second; yikes!
Lastly, when you have more than two voices, we combine the different stem directions with some slight horizontal spacing to distinguish the voices from each other. In the following example, note that the middle voice is slightly pushed to the right to prevent it from colliding with other noteheads and stems.
Yikes, indeed. :D
– Xilpex
10 hours ago
add a comment |
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1 Answer
1
active
oldest
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1 Answer
1
active
oldest
votes
active
oldest
votes
active
oldest
votes
This is common notation in keyboard music, although we don't call them "double stop"; it's just harmony. When notating something like this, you write the music out as different voices, with the caveat that up-stem and down-stem notes help clarify which voice is which.
Consider the following example: the up-stem pitches are one voice and the down-stem half notes are a separate voice. This notation clearly allows us to separate which pitches belong to which melodic line.
But it becomes more difficult when there are intervals of a second involved; we have to off-set one of the notes to distinguish the noteheads. (See also What does it mean when two notes are stuck together?)
Contrast this with the abyssmal notation shown here that doesn't clarify stem direction or the interval of a second; yikes!
Lastly, when you have more than two voices, we combine the different stem directions with some slight horizontal spacing to distinguish the voices from each other. In the following example, note that the middle voice is slightly pushed to the right to prevent it from colliding with other noteheads and stems.
Yikes, indeed. :D
– Xilpex
10 hours ago
add a comment |
This is common notation in keyboard music, although we don't call them "double stop"; it's just harmony. When notating something like this, you write the music out as different voices, with the caveat that up-stem and down-stem notes help clarify which voice is which.
Consider the following example: the up-stem pitches are one voice and the down-stem half notes are a separate voice. This notation clearly allows us to separate which pitches belong to which melodic line.
But it becomes more difficult when there are intervals of a second involved; we have to off-set one of the notes to distinguish the noteheads. (See also What does it mean when two notes are stuck together?)
Contrast this with the abyssmal notation shown here that doesn't clarify stem direction or the interval of a second; yikes!
Lastly, when you have more than two voices, we combine the different stem directions with some slight horizontal spacing to distinguish the voices from each other. In the following example, note that the middle voice is slightly pushed to the right to prevent it from colliding with other noteheads and stems.
Yikes, indeed. :D
– Xilpex
10 hours ago
add a comment |
This is common notation in keyboard music, although we don't call them "double stop"; it's just harmony. When notating something like this, you write the music out as different voices, with the caveat that up-stem and down-stem notes help clarify which voice is which.
Consider the following example: the up-stem pitches are one voice and the down-stem half notes are a separate voice. This notation clearly allows us to separate which pitches belong to which melodic line.
But it becomes more difficult when there are intervals of a second involved; we have to off-set one of the notes to distinguish the noteheads. (See also What does it mean when two notes are stuck together?)
Contrast this with the abyssmal notation shown here that doesn't clarify stem direction or the interval of a second; yikes!
Lastly, when you have more than two voices, we combine the different stem directions with some slight horizontal spacing to distinguish the voices from each other. In the following example, note that the middle voice is slightly pushed to the right to prevent it from colliding with other noteheads and stems.
This is common notation in keyboard music, although we don't call them "double stop"; it's just harmony. When notating something like this, you write the music out as different voices, with the caveat that up-stem and down-stem notes help clarify which voice is which.
Consider the following example: the up-stem pitches are one voice and the down-stem half notes are a separate voice. This notation clearly allows us to separate which pitches belong to which melodic line.
But it becomes more difficult when there are intervals of a second involved; we have to off-set one of the notes to distinguish the noteheads. (See also What does it mean when two notes are stuck together?)
Contrast this with the abyssmal notation shown here that doesn't clarify stem direction or the interval of a second; yikes!
Lastly, when you have more than two voices, we combine the different stem directions with some slight horizontal spacing to distinguish the voices from each other. In the following example, note that the middle voice is slightly pushed to the right to prevent it from colliding with other noteheads and stems.
edited 10 hours ago
answered 10 hours ago
RichardRichard
44.8k7105193
44.8k7105193
Yikes, indeed. :D
– Xilpex
10 hours ago
add a comment |
Yikes, indeed. :D
– Xilpex
10 hours ago
Yikes, indeed. :D
– Xilpex
10 hours ago
Yikes, indeed. :D
– Xilpex
10 hours ago
add a comment |
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