Why does Cogburn kill the horse?












15















In the movie True Grit (2010), second to last scene, where Cogburn rides with poisoned Mattie.

In the desperate attempt to save Mattie from the snake venom, Cogburn rides her (of Mattie) horse day-and-night to quickly reach a doctor. As I and everyone can imagine, the horse gets very tired in this race against the time.



Question is: why does Cogburn decide to kill the horse instead of simply leaving it in the wild?










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  • 1





    It was a bit of a meme in old cowboy movies, so if you're talking about the original, it's a meme, the remake, they're following the plot of the original.

    – Tetsujin
    Dec 17 '18 at 18:43











  • Which True Grit? (1969) or (2010)?

    – Nick T
    Dec 18 '18 at 0:00











  • 2010, the latest one

    – mattia.b89
    Dec 18 '18 at 0:01






  • 1





    @Tetsujin I think you'll find that the plot of the 1969 movie follows the plot of the 1968 novel.

    – phoog
    Dec 18 '18 at 10:36
















15















In the movie True Grit (2010), second to last scene, where Cogburn rides with poisoned Mattie.

In the desperate attempt to save Mattie from the snake venom, Cogburn rides her (of Mattie) horse day-and-night to quickly reach a doctor. As I and everyone can imagine, the horse gets very tired in this race against the time.



Question is: why does Cogburn decide to kill the horse instead of simply leaving it in the wild?










share|improve this question




















  • 1





    It was a bit of a meme in old cowboy movies, so if you're talking about the original, it's a meme, the remake, they're following the plot of the original.

    – Tetsujin
    Dec 17 '18 at 18:43











  • Which True Grit? (1969) or (2010)?

    – Nick T
    Dec 18 '18 at 0:00











  • 2010, the latest one

    – mattia.b89
    Dec 18 '18 at 0:01






  • 1





    @Tetsujin I think you'll find that the plot of the 1969 movie follows the plot of the 1968 novel.

    – phoog
    Dec 18 '18 at 10:36














15












15








15








In the movie True Grit (2010), second to last scene, where Cogburn rides with poisoned Mattie.

In the desperate attempt to save Mattie from the snake venom, Cogburn rides her (of Mattie) horse day-and-night to quickly reach a doctor. As I and everyone can imagine, the horse gets very tired in this race against the time.



Question is: why does Cogburn decide to kill the horse instead of simply leaving it in the wild?










share|improve this question
















In the movie True Grit (2010), second to last scene, where Cogburn rides with poisoned Mattie.

In the desperate attempt to save Mattie from the snake venom, Cogburn rides her (of Mattie) horse day-and-night to quickly reach a doctor. As I and everyone can imagine, the horse gets very tired in this race against the time.



Question is: why does Cogburn decide to kill the horse instead of simply leaving it in the wild?







plot-explanation true-grit






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edited Dec 18 '18 at 0:41









Napoleon Wilson

42.2k42272522




42.2k42272522










asked Dec 17 '18 at 18:03









mattia.b89mattia.b89

17916




17916








  • 1





    It was a bit of a meme in old cowboy movies, so if you're talking about the original, it's a meme, the remake, they're following the plot of the original.

    – Tetsujin
    Dec 17 '18 at 18:43











  • Which True Grit? (1969) or (2010)?

    – Nick T
    Dec 18 '18 at 0:00











  • 2010, the latest one

    – mattia.b89
    Dec 18 '18 at 0:01






  • 1





    @Tetsujin I think you'll find that the plot of the 1969 movie follows the plot of the 1968 novel.

    – phoog
    Dec 18 '18 at 10:36














  • 1





    It was a bit of a meme in old cowboy movies, so if you're talking about the original, it's a meme, the remake, they're following the plot of the original.

    – Tetsujin
    Dec 17 '18 at 18:43











  • Which True Grit? (1969) or (2010)?

    – Nick T
    Dec 18 '18 at 0:00











  • 2010, the latest one

    – mattia.b89
    Dec 18 '18 at 0:01






  • 1





    @Tetsujin I think you'll find that the plot of the 1969 movie follows the plot of the 1968 novel.

    – phoog
    Dec 18 '18 at 10:36








1




1





It was a bit of a meme in old cowboy movies, so if you're talking about the original, it's a meme, the remake, they're following the plot of the original.

– Tetsujin
Dec 17 '18 at 18:43





It was a bit of a meme in old cowboy movies, so if you're talking about the original, it's a meme, the remake, they're following the plot of the original.

– Tetsujin
Dec 17 '18 at 18:43













Which True Grit? (1969) or (2010)?

– Nick T
Dec 18 '18 at 0:00





Which True Grit? (1969) or (2010)?

– Nick T
Dec 18 '18 at 0:00













2010, the latest one

– mattia.b89
Dec 18 '18 at 0:01





2010, the latest one

– mattia.b89
Dec 18 '18 at 0:01




1




1





@Tetsujin I think you'll find that the plot of the 1969 movie follows the plot of the 1968 novel.

– phoog
Dec 18 '18 at 10:36





@Tetsujin I think you'll find that the plot of the 1969 movie follows the plot of the 1968 novel.

– phoog
Dec 18 '18 at 10:36










2 Answers
2






active

oldest

votes


















19














The following is from the script at this link.



It would seem that they had ridden Little Blackie beyond a point of restoration, even choosing to cut the horse with a knife to drive it on. Given the foaming, and the unsettling noises coming from within the horse, Rooster chose to end the horse's misery. The horse was nowhere near a place it could heal. In Rooster's mind, he most likely thought it wouldn't even if they were close.




THE MEADOW



Mattie is woozy. As Little Blackie crosses the field at
full gallop Mattie looks blearily at the littering bodies of horses
and men. Next to Lucky Ned’s body his horse, saddled and riderless,
swings its head to watch as Rooster and Mattie pass. Mattie’s eyes are
closing.



LATE DAY



Mattie’s eyes half-open. Little Blackie plunges on,
through a rough road in woods, but slower now, his mouth foaming.
Rooster "Come on, you!" Mattie "We must stop." Little Blackie is played
out. Horrible noises are indeed coming from the horse, but Rooster is
grim: Rooster "We have miles yet." He leaves off whipping the horse and
takes out his knife. He leans back and slashes at the horse’s
whithers. Little Blackie surges. Mattie screams. Mattie "No!" A
locked-down shot as horse and riders enter at a gallop and recede.



NIGHT 113



It has started to snow. Mattie is flushed and soaked with
sweat. The horse is laboring for breath. Rooster gives inarticulate
curses as he kicks it on. Mattie looks ahead: Barely visible in the
moonlight a man mounted bareback rides on ahead. A sash cord holds a
rifle to his back. He recedes, outpacing us, disappearing into the
darkness and the falling snow. Mattie "He is getting away." Rooster "Who
is getting away?" Mattie "Chaney." Rooster "Hold on, sis." Mattie is
falling. It is unclear why. Her legs squeeze the horses flanks. Her
hand tightens on the horses mane. Rooster’s arm reaches around to hold
her. Little Blackie is giving out, going to his knees and then all the
way down. Rooster hangs on to Mattie as the horse sinks. He pulls her
clear, lays her on the ground, and then steps away from her, taking
out a gun. The horrible noises coming from the horse end with a
gunshot. Rooster reenters to pick up Mattie but she screams at him and
claws at his face, opening fresh gashes. He ducks his head as best he
can to avoid the claws but that is the extent of his reaction.







share|improve this answer































    14














    Ironically, it is an act of mercy. Cogburn knows that the horse is doomed to die. The horse will either starve to death, or get torn apart by predators and eaten. Cogburn shoots the horse to put it out of its misery, and save it from going through the torture of a slow, horrible death.






    share|improve this answer































      2 Answers
      2






      active

      oldest

      votes








      2 Answers
      2






      active

      oldest

      votes









      active

      oldest

      votes






      active

      oldest

      votes









      19














      The following is from the script at this link.



      It would seem that they had ridden Little Blackie beyond a point of restoration, even choosing to cut the horse with a knife to drive it on. Given the foaming, and the unsettling noises coming from within the horse, Rooster chose to end the horse's misery. The horse was nowhere near a place it could heal. In Rooster's mind, he most likely thought it wouldn't even if they were close.




      THE MEADOW



      Mattie is woozy. As Little Blackie crosses the field at
      full gallop Mattie looks blearily at the littering bodies of horses
      and men. Next to Lucky Ned’s body his horse, saddled and riderless,
      swings its head to watch as Rooster and Mattie pass. Mattie’s eyes are
      closing.



      LATE DAY



      Mattie’s eyes half-open. Little Blackie plunges on,
      through a rough road in woods, but slower now, his mouth foaming.
      Rooster "Come on, you!" Mattie "We must stop." Little Blackie is played
      out. Horrible noises are indeed coming from the horse, but Rooster is
      grim: Rooster "We have miles yet." He leaves off whipping the horse and
      takes out his knife. He leans back and slashes at the horse’s
      whithers. Little Blackie surges. Mattie screams. Mattie "No!" A
      locked-down shot as horse and riders enter at a gallop and recede.



      NIGHT 113



      It has started to snow. Mattie is flushed and soaked with
      sweat. The horse is laboring for breath. Rooster gives inarticulate
      curses as he kicks it on. Mattie looks ahead: Barely visible in the
      moonlight a man mounted bareback rides on ahead. A sash cord holds a
      rifle to his back. He recedes, outpacing us, disappearing into the
      darkness and the falling snow. Mattie "He is getting away." Rooster "Who
      is getting away?" Mattie "Chaney." Rooster "Hold on, sis." Mattie is
      falling. It is unclear why. Her legs squeeze the horses flanks. Her
      hand tightens on the horses mane. Rooster’s arm reaches around to hold
      her. Little Blackie is giving out, going to his knees and then all the
      way down. Rooster hangs on to Mattie as the horse sinks. He pulls her
      clear, lays her on the ground, and then steps away from her, taking
      out a gun. The horrible noises coming from the horse end with a
      gunshot. Rooster reenters to pick up Mattie but she screams at him and
      claws at his face, opening fresh gashes. He ducks his head as best he
      can to avoid the claws but that is the extent of his reaction.







      share|improve this answer




























        19














        The following is from the script at this link.



        It would seem that they had ridden Little Blackie beyond a point of restoration, even choosing to cut the horse with a knife to drive it on. Given the foaming, and the unsettling noises coming from within the horse, Rooster chose to end the horse's misery. The horse was nowhere near a place it could heal. In Rooster's mind, he most likely thought it wouldn't even if they were close.




        THE MEADOW



        Mattie is woozy. As Little Blackie crosses the field at
        full gallop Mattie looks blearily at the littering bodies of horses
        and men. Next to Lucky Ned’s body his horse, saddled and riderless,
        swings its head to watch as Rooster and Mattie pass. Mattie’s eyes are
        closing.



        LATE DAY



        Mattie’s eyes half-open. Little Blackie plunges on,
        through a rough road in woods, but slower now, his mouth foaming.
        Rooster "Come on, you!" Mattie "We must stop." Little Blackie is played
        out. Horrible noises are indeed coming from the horse, but Rooster is
        grim: Rooster "We have miles yet." He leaves off whipping the horse and
        takes out his knife. He leans back and slashes at the horse’s
        whithers. Little Blackie surges. Mattie screams. Mattie "No!" A
        locked-down shot as horse and riders enter at a gallop and recede.



        NIGHT 113



        It has started to snow. Mattie is flushed and soaked with
        sweat. The horse is laboring for breath. Rooster gives inarticulate
        curses as he kicks it on. Mattie looks ahead: Barely visible in the
        moonlight a man mounted bareback rides on ahead. A sash cord holds a
        rifle to his back. He recedes, outpacing us, disappearing into the
        darkness and the falling snow. Mattie "He is getting away." Rooster "Who
        is getting away?" Mattie "Chaney." Rooster "Hold on, sis." Mattie is
        falling. It is unclear why. Her legs squeeze the horses flanks. Her
        hand tightens on the horses mane. Rooster’s arm reaches around to hold
        her. Little Blackie is giving out, going to his knees and then all the
        way down. Rooster hangs on to Mattie as the horse sinks. He pulls her
        clear, lays her on the ground, and then steps away from her, taking
        out a gun. The horrible noises coming from the horse end with a
        gunshot. Rooster reenters to pick up Mattie but she screams at him and
        claws at his face, opening fresh gashes. He ducks his head as best he
        can to avoid the claws but that is the extent of his reaction.







        share|improve this answer


























          19












          19








          19







          The following is from the script at this link.



          It would seem that they had ridden Little Blackie beyond a point of restoration, even choosing to cut the horse with a knife to drive it on. Given the foaming, and the unsettling noises coming from within the horse, Rooster chose to end the horse's misery. The horse was nowhere near a place it could heal. In Rooster's mind, he most likely thought it wouldn't even if they were close.




          THE MEADOW



          Mattie is woozy. As Little Blackie crosses the field at
          full gallop Mattie looks blearily at the littering bodies of horses
          and men. Next to Lucky Ned’s body his horse, saddled and riderless,
          swings its head to watch as Rooster and Mattie pass. Mattie’s eyes are
          closing.



          LATE DAY



          Mattie’s eyes half-open. Little Blackie plunges on,
          through a rough road in woods, but slower now, his mouth foaming.
          Rooster "Come on, you!" Mattie "We must stop." Little Blackie is played
          out. Horrible noises are indeed coming from the horse, but Rooster is
          grim: Rooster "We have miles yet." He leaves off whipping the horse and
          takes out his knife. He leans back and slashes at the horse’s
          whithers. Little Blackie surges. Mattie screams. Mattie "No!" A
          locked-down shot as horse and riders enter at a gallop and recede.



          NIGHT 113



          It has started to snow. Mattie is flushed and soaked with
          sweat. The horse is laboring for breath. Rooster gives inarticulate
          curses as he kicks it on. Mattie looks ahead: Barely visible in the
          moonlight a man mounted bareback rides on ahead. A sash cord holds a
          rifle to his back. He recedes, outpacing us, disappearing into the
          darkness and the falling snow. Mattie "He is getting away." Rooster "Who
          is getting away?" Mattie "Chaney." Rooster "Hold on, sis." Mattie is
          falling. It is unclear why. Her legs squeeze the horses flanks. Her
          hand tightens on the horses mane. Rooster’s arm reaches around to hold
          her. Little Blackie is giving out, going to his knees and then all the
          way down. Rooster hangs on to Mattie as the horse sinks. He pulls her
          clear, lays her on the ground, and then steps away from her, taking
          out a gun. The horrible noises coming from the horse end with a
          gunshot. Rooster reenters to pick up Mattie but she screams at him and
          claws at his face, opening fresh gashes. He ducks his head as best he
          can to avoid the claws but that is the extent of his reaction.







          share|improve this answer













          The following is from the script at this link.



          It would seem that they had ridden Little Blackie beyond a point of restoration, even choosing to cut the horse with a knife to drive it on. Given the foaming, and the unsettling noises coming from within the horse, Rooster chose to end the horse's misery. The horse was nowhere near a place it could heal. In Rooster's mind, he most likely thought it wouldn't even if they were close.




          THE MEADOW



          Mattie is woozy. As Little Blackie crosses the field at
          full gallop Mattie looks blearily at the littering bodies of horses
          and men. Next to Lucky Ned’s body his horse, saddled and riderless,
          swings its head to watch as Rooster and Mattie pass. Mattie’s eyes are
          closing.



          LATE DAY



          Mattie’s eyes half-open. Little Blackie plunges on,
          through a rough road in woods, but slower now, his mouth foaming.
          Rooster "Come on, you!" Mattie "We must stop." Little Blackie is played
          out. Horrible noises are indeed coming from the horse, but Rooster is
          grim: Rooster "We have miles yet." He leaves off whipping the horse and
          takes out his knife. He leans back and slashes at the horse’s
          whithers. Little Blackie surges. Mattie screams. Mattie "No!" A
          locked-down shot as horse and riders enter at a gallop and recede.



          NIGHT 113



          It has started to snow. Mattie is flushed and soaked with
          sweat. The horse is laboring for breath. Rooster gives inarticulate
          curses as he kicks it on. Mattie looks ahead: Barely visible in the
          moonlight a man mounted bareback rides on ahead. A sash cord holds a
          rifle to his back. He recedes, outpacing us, disappearing into the
          darkness and the falling snow. Mattie "He is getting away." Rooster "Who
          is getting away?" Mattie "Chaney." Rooster "Hold on, sis." Mattie is
          falling. It is unclear why. Her legs squeeze the horses flanks. Her
          hand tightens on the horses mane. Rooster’s arm reaches around to hold
          her. Little Blackie is giving out, going to his knees and then all the
          way down. Rooster hangs on to Mattie as the horse sinks. He pulls her
          clear, lays her on the ground, and then steps away from her, taking
          out a gun. The horrible noises coming from the horse end with a
          gunshot. Rooster reenters to pick up Mattie but she screams at him and
          claws at his face, opening fresh gashes. He ducks his head as best he
          can to avoid the claws but that is the extent of his reaction.








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          answered Dec 17 '18 at 18:36









          Jason P SallingerJason P Sallinger

          9712719




          9712719























              14














              Ironically, it is an act of mercy. Cogburn knows that the horse is doomed to die. The horse will either starve to death, or get torn apart by predators and eaten. Cogburn shoots the horse to put it out of its misery, and save it from going through the torture of a slow, horrible death.






              share|improve this answer




























                14














                Ironically, it is an act of mercy. Cogburn knows that the horse is doomed to die. The horse will either starve to death, or get torn apart by predators and eaten. Cogburn shoots the horse to put it out of its misery, and save it from going through the torture of a slow, horrible death.






                share|improve this answer


























                  14












                  14








                  14







                  Ironically, it is an act of mercy. Cogburn knows that the horse is doomed to die. The horse will either starve to death, or get torn apart by predators and eaten. Cogburn shoots the horse to put it out of its misery, and save it from going through the torture of a slow, horrible death.






                  share|improve this answer













                  Ironically, it is an act of mercy. Cogburn knows that the horse is doomed to die. The horse will either starve to death, or get torn apart by predators and eaten. Cogburn shoots the horse to put it out of its misery, and save it from going through the torture of a slow, horrible death.







                  share|improve this answer












                  share|improve this answer



                  share|improve this answer










                  answered Dec 17 '18 at 18:22









                  BrettFromLABrettFromLA

                  15.9k854108




                  15.9k854108















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